Elise van Nederveen Meerkerk appeared yesterday in the TV series Verhaal van Nederland. Using a combination of documentary and drama,…
Family labour, household livelihood and consumption in the relocation of global cotton manufacturing, ca. 1750-1990
Image courtesy: Zeeland Auctioneers
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Velázquez interweaves this fascinating story in a scene that at first glance seems to give an everyday view of a weaving workshop. The painting is called “The Spinners” (1655-1660). In the foreground, women are spinning wool. The tapestry hanging on the back wall shows the moment in which Minerva’s vengeful anger falls on Arachne. With this masterpiece, Velázquez defies the god once again. The painting is on permanent display in the Museo del Prado, Madrid.
Elise van Nederveen Meerkerk appeared yesterday in the TV series Verhaal van Nederland. Using a combination of documentary and drama,…
We are proud to announce the publication of "Local advantage in a global context. Competition, adaptation and resilience in textile…
Fortunately, it was possible to attend the 2021 edition of ‘The Night of Utrecht History’ live. There were a few…
This workshop aims to address the following questions: How has the Dutch textile industry been influenced by its global connections and, vice versa, how have Dutch textile exports influenced other regions? How did the Dutch connect to or disconnect from differentiated textile markets and consumption tastes, for instance by linking, transferring and imitating designs and values of certain products? How did other players on the world market respond?
Traditions of textile manufacturing have developed in nearly all parts of the globe. However, the characteristics and development trajectories of…
More information will follow soon.